It’s Almost Spring

I dashed outside the Cave of Revision this morning and it’s true: it is almost Spring up here on the tundra. In fact, I think it will happen today, while I am deeply buried in my story.

I won’t be able to haunt the Forest with my camera to pounce on the Absolute Moment, so here is the closest I can come to proving this to you.

Image and video hosting by TinyPic Here the Creature With Fangs poses next to one of the last piles of snow we have.

Image and video hosting by TinyPic Next: daffodils on the brink of blooming. (Yes, those daffodils, mentioned in ’06!) I tried to get the CWF to pose here, too, but she was more interested in crushing the plants with her paws. I threw a stick in the other direction and snapped this shot.

Thank you to everyone who donated to my husband’s Race for Cancer. There is still time to help our cause and get some of the free LHA goodies mentioned earlier this week (scroll to bottom of post).

Attention New England SCBWI Conference attenders! Today is Day 5 of my 21-Day Writing Challenge. How’s it going for you? I’d love to hear what you’re doing – leave a note in the Comments section and pass the word along to the other folks who were there.

OK, back into the Cave I go.

Majoring in Creative Writing and other questions

Readers questions are pouring in!

Many folks are asking about one of my responses to Katrina’s questions earlier in the week about majoring in Creative Writing in college.

I wrote: Don’t major in Creative Writing, but take some of the classes if the professor has a good reputation with the other students.

This made some people – those majoring in Creative Writing – nervous. So I expanded on my opinion:

My concern is that too many colleges give students the impression that a degree in Creative Writing will nearly guarantee them a lifetime of publishing contracts and a life of ease.

It does not work that way.

If you are fortunate enough to have great professors, your chances of developing your writing skills to the point where you could be published are increased, there’s no doubt about that. But there are a lot of terrible creative writing professors out there. Lately, I’ve talked to several 20-somethings who are bitter and disillusioned because the degree has not translated into anything but rejection letters.

So if it makes you happy, go for it. But do so with your eyes open.

I’d like to add something else to all the high school students out there who want to become authors. I think the single most important thing you can do for your writing career is to spend time living in a different country. Take a gap year and volunteer your services abroad. Or just travel and talk to people. And then come home. You need to get away from the world in which you were raised in order to gain some perspective on your experiences there. Your writing will be stronger and more interesting once you gain that perspective. IMHO.

Were any of you Creative Writing majors? What’s your opinion about this?

On MySpace, a reader asks: “Are you sure you didn’t write symbolism and themes into your books? Because My english teacher seemed pretty hung up on the fact that I could read Speak three times in two weeks without finding some deep, hidden meaning. In fact, I had to write Not one, but two essays about it.
Well, I know I really Love your books.
I don’t search for deeper meanings, becase frankly, I like the Message at the very top.
Can I print Out your myspace and Give it to my English I teacher?”

By teaching you about the uses of symbolism in literature, your teacher is giving you a couple of extra tools that can make reading more fun. I think the symbolism that is important is the symbolism a reader finds in the story. It doesn’t matter what the author tried to stick in there. I’m sorry that the essay writing was painful, but I’m glad you liked the book.

K saw the SPEAK movie on Lifetime this weekend and wrote: “All I really have to say is… you’re my freakin hero! Well, not really… but that’s my way of saying I enjoy the small taste of your work that I have sampled. I’ve honestly never heard of you or your books before, but Speak came on the TV just now and is probably about halfway through and I love it.

It’s everything I think but can never say… Because… people just don’t get it. It’s good to know I’m not the only one with a bitter, sarcastic, cynical look at society’s stupid unwritten rules of communication.

So I haven’t read your book, so I don’t know if these quotes are in there, but they are in the movie and are awesome.

“All that crap you hear on TV about communication and expressing feelings… is a lie. No one really cares what you have to say.”

“Why couldn’t he just say what he meant? Would they pin a scarlet letter to his chest? ‘S’ for Straightforward?”

“Once you get through this “life sucks” phase, I’m sure lots of people will wanna be your friend. But for right now, I don’t think we should have lunch together.”

That’s enough, I guess. You wrote the book, you know what you said, you get the point.

You don’t have to answer me back. You’re busy. That’s cool. But I pretty much had to tell you I love Speak.”

I’ve had some great letters about TWISTED recently – I think I’ll share them tomorrow.

In closing, many congratulations and all the respect in the world to the Lady Vols of Tennessee and Coach Pat Summitt (whom I adore) for winning the NCAA Women’s Basketball Championship last night.

Working

::lifts head from manuscript to see blog friends standing around::

Oh. Right.
Yay Jayhawks!!

I really do have a ton of great ideas for today’s post, but I have too much work to do.

Check back with me tomorrow, OK?

::sticks self back into story::

Mail about the realities of writing

Yes, Theo is in the process of posting my new website, and yes, we know that not all features are working yet. Thank you very much to everyone who has written to let us know pages that seem to be empty and the broken links. Consider the current version very much Beta. It will be polished and shiny soon.

Katarina, an 8th grader from NJ, mailed the following questions. I’m on deadline again, so the answers will be pithy.

When did you realize that you wanted to become a writer specifically for young adults?
I haven’t decided that yet. I just try to write good stories.

How do you deal with frustration/writer’s block?
I run.

Are there any specific classes that I should take in high school/college?
Keyboarding. I suggest you don’t major in creative writing, either, but take some of the classes if the professor has a good reputation with the other students.

Is this a job that includes more failure or success?
Ha! Buckets of failure, tasty tablespoons of success.

How long does it usually take to get “started,” i.e. find a reputable publisher and editor
Ten years.

How long, on average, does it take for you to write a book including the editing/publishing process?
Two to three years from the beginning of a project until it lands in a bookstore.

What precautions can I take so I don’t fall for publishing scams?
Never pay cash to anyone who claims to be an agent. Learn the difference between vanity presses and trade presses. Your librarian will help you find books that explain the difference.

Should I have a good knowledge of other styles/genres of writing?
Write what is in your heart.

How can I learn to deal with bad reviews and critics?
Smashing your hand in a car door once a week helps. If you don’t have a car, use a hammer. Bad reviews hurt.

When I am just starting out, is the compensation good enough, or is it hard to make a living?
Learn how to waitress so you’ll always be able to eat. Be nice to your parents in case you need to live in their basement until your big break comes.

And a very nice note from Danica, who writes:

Ms. Halse-Anderson,
I’ve got to let you know how much I truly loved “Speak.” I first read
the novel as part of an Adolescent Literature class, and I enjoyed it
so much that I thought I needed to find a way to work with the novel
on a deeper level. I’ve decided to use it as part of my senior thesis
on reader-response and adolescent literature.

You’ve managed to take a subject like rape and address it in a way
that’s approachable for adolescent readers– the treatment of the
subject is not too intense or explicit, but still clearly demonstrates
the emotional pain of rape. It seems that rape is too often treated
lightly (somehow– something I will never quite understand), and your
book is a wonderful approach to the benefits of speaking out about
sexual trauma.

Thank you, I look forward to reading more from you!

Thank you very much, Danica. That is exactly the inspiration I needed to go back to my revision!

I’m not dead yet

In fact, this medicine is definitely helping. I don’t feel great, but I’ve stopped telling BH to order me a pretty coffin with built-in bookshelves. Thank you to everyone who made me laugh yesterday (and this morning, Jerry).

Congratulations are in order for one of my favorite YA librarians, Stephanie Squicciarini, from Fairport, NY. Stephanie is the genius and energy behind the fantastic Rochester Teen Book Festival, as well as one of those librarians able to leap tall buildings in a single bound. And she is one of the winners of the Library Journal’s 2008 Movers & Shakers Award. Brava!

More writing questions.

daimeera writes two questions: First: have you ever written a character (or more than one) whom you’ve personally disliked, but who has been popular with your readers? I ask because no matter how hard I try, I’m not particularly fond of one of my own characters, yet I’ve received feedback that she’s likable (admittedly few people have read the novel, but I was surprised to hear it at all).

Hard question. I don’t think many readers like Teri Litch, from CATALYST, but I really love her a lot. Some day I might a book from her POV. We’ll see. You might want to explore, on paper, why you don’t like this character. As you write about her, you’ll probably uncover more details and layers to her personality. Could be fun.

Two: do you feel it’s dangerous to begin a story with a character who isn’t immediately likable? I’ve heard mixed feelings on this; some people will put the book down within a few paragraphs, others are more intrigued by this type of character. Have you found it makes a difference, or do you have a personal preference?

There is no one correct way to do anything in writing. If you are worried about the impact of your opening, experiment with it. Write a couple of different openings and see how it affects the rest of the story, The most important thing is to write the book that you want to read.

TWISTED good news update: It was chosen for the Kansas State Reading Circle Recommended Reading List (Senior High/Young Adult). It’s also nominated for the Kansas Heartland Award, so thank you, Kansas!

In closing, Bookavore passes on an article about common faults in writing. Wrap your ego in armor before you read this one, fellow scribblers.