In which I relive Valley Forge – briefly!

I am just about finished with FORGE (well, this draft, at least). A small part of my lifestyle already mimics the late 18th century: heating my cottage (and our house) with wood instead of electricity or fossil fuel. I grow a lot of food in the garden. I have been known to scratch out pages of notes with a quill and ink. (However I am not crazy enough to give up my computer for writing.)

Last fall I cooked a squash over an open fire for a scene in my book that is based on one of the experiences of Private Joseph Plumb Martin. Performing the task as he did was really important for getting the scene right. I’ve tried to do that with a number of scenes in the book.

(Remind me, please, to write a book about an upper glass girl who lives in Paris in 1910. No risk of frostbite researching that one!)

Most of FORGE takes place in Valley Forge; my story does not shy away from the physical challenges of that encampment. That winter (1777-1778) was not the coldest winter of the war, not at all. But the department of the Commissary was in total disarray, the supply lines were nonexistent, and the Congress – which had been formed to fight a war which everyone thought would take a few months at best – was unprepared to coordinate the purchase and delivery of food, clothing, blankets, soap, and medical supplies for 11,000 soldiers.

Which is why Valley Forge was hell. The soldiers went through several periods of having little or nothing to eat. Many of them were wearing rags. Some lacked shirts. Others lacked jackets. Some had to wear blankets because their pants had fallen apart. Many had no shoes or boots.

Which brings me to this morning’s experiment. It was 13 degrees outside. We had a fresh couple of inches of snow two days ago. It was time for me to step back into time.

 I am wearing garb that is as close to Rev War-era as my closet would allow: a linen shirt that I wear to Renaissance Faires, my husband’s Renn Faire britches, hand-knit wool stockings, a scarf, knit cap, knit gloves and a thin wool blanket. No boots. The fact that my clothing was not torn, muddied, or crawling with various insect life, makes this barely authentic, but I didn’t want anyone calling the authorities because a half-dressed crazy woman was walking in the snow.

It sure felt authentic to my feet. I walked up to the cottage to get my hatchet. I planned on then walking to the mailbox (a little more than a tenth of a mile), get the mail, head back to the house and split some wood (with an axe, not the hatchet) because I needed the wood anyway.

Ha. I am a weenie. I have cowardly feet.

After fetching the hatchet, I managed a couple hundred paces and then my feet quit in protest. At first they went numb, which wasn’t so bad, but then they were in wicked pain. I knew if I kept going they would go numb again, which made the prospect tempting, but I figured my health insurance company would deny my claim for frostbite treatment on account of stupidity. We bagged the mailbox walk and the wood chopping and settled for a few paces in the snow for the benefit of the camera.

I am typing this an hour and a half after I came back inside. My feet still hurt.

I continue to be in awe of the soldiers and the women (and children) who survived that winter at Valley Forge.

Off to heap more wood on the fire now!

It’s Getting Silly Around Here & Revision Tip 23

The Creature With Fangs Elfed yesterday.

My Beloved Husband Elfed yesterday.

Queen Louise Elfed yesterday.

And I did, too.

A most merry time, indeed!

Revision Tip #23

I rarely have the image systems of my books in mind when I start writing. But by the end of the first or second draft, some image (symbol for Eng lit majors) has cropped up and I realize that I can riff on that symbol throughout the book to tell the larger story. In a subtle way, I hope.

In SPEAK, it was the image of the tree. There was only one mention of it in the early drafts. When I realized the power of it, I wrote in all the art class scenes, and made the tree into a year-long project for her.

WINTERGIRLS was interesting. The first paragraph of the first draft of the book was this:

"The crows stalk me, wings folded neatly behind them, hungry yellow weighing my soft spots. They circle around me once, twice, three times, claws scarring the stone floor of the church.

I curl up on the frozen altar. They flutter close, black feathers filling my mouth and eyes and ears."

I really don’t know where that came from; I just wrote it down, plus a bunch of other stuff. The reference to the "frozen altar" is what got me thinking about ancient religions and mythology, which in turn led me to ponder if there was a mythological story within Lia’s story. Ofcourse there was: the story of Persephone. That became a central image system for the book, with references to pomegranate seeds and the death that is winter, along with mother/goddess figure at her wits end, trying to pull her daughter back from the grasp of hell.

(For the record – that opening paragraph wound up migrating to page 264. It fits much better there.)

Is there a small detail in your draft that could be expanded into a central image system?

The care and feeding of julenisse & Revision Tip #22

All work in the Forest today will grind to a halt as we enjoy the ceremonial viewing of Elf. And we might even make spaghetti with maple syrup.

I got to thinking about my family’s tradition of setting out rice pudding for the julenisse. Nisse have been around long before Christmas celebrations. English words that describe them as elves, or gnomes; I’ve seen "pixie," too. If properly cared for, nisse will watch out for your farm animals, your house, and your barn. If you don’t take care of them, they will cause all kinds of mischief on your property.

Nisse are low-maintenance creatures. All they require is a bowl of rice pudding (risengrød) set outside your door or in your barn on Christmas Eve. We’ve always done this faithfully and I think our nisse appreciate it.

But as the sun was setting yesterday and I was lighting candles in honor of the solstice I realized that the nisse have been around a lot longer than Christmas celebrations. Ack! Have I been disrespecting the nisse all these years? They are ancient creatures… do they wait, forlorn, on the night of the winter solstice, their tummies grumbling, while the Big People go about their ignorant business? And when the pudding FINALLY shows up on Christmas Eve, do they call up the other nisse and complain?

So last night I put out rice pudding for them. And I will again on Christmas Eve. You can’t be too careful with nisse.

Revision Tip #22

Are you sure that you’ve chosen the right point of view for your novel?

Take your favorite chapter and rewrite from a different POV; shift from third to first, or first to third, or if you are bold and way smarter than me, experiment with the second person POV.

Or…. (and…..) fool around with the tense structure. If your story is told in present tense, rewrite that favorite chapter in past tense. If you’ve written the whole thing in past tense, try out that chapter in present tense.

What’s the point of all this mucking around? It helps you see your characters and the Story from a slightly altered perspective.

Two Tips In One Day!

Good Solstice, everyone!

I feel like calling your main character Rudolph today. (Humor me.)


Revision Tip #20

Don’t make it too easy on Rudolph.

Your story should not be a tale of the desires of Rudolph. It should be the thwarted desires of Rudolph up until the very end, when finally, FINALLY, things go right, tho’ not in the way he originally thought they would.

For every desire, there should be an obstacle. Every step on the path leads to another detour.

Review your manuscript and make sure that poor Rudolph runs into obstacles over and over again. You fiend.

Revision Tip #21

1. Record yourself reading your manuscript aloud. The whole thing.

2. Listen to it with your manuscript in front of you (I am most comfortable with the printed-out version at this point.)

3. Pause whenever necessary to make notes on what needs fixing. This is when I find repeated words, awkward phrases and dropped plot points.

4. After a marathon listening session, go back in and finish all the repair work.